NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

South African radio presenter Njinji dies

26 Jan 2026 - 11:33

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The South African entertainment industry is mourning the death of radio presenter and former Ukhozi FM host, Njinji, who passed away on 24 January.

The late South African radio presenter and former Ukhozi FM host Njinji. Photo: Ukhozi FM

News of his death sparked an outpouring of tributes on social media, with fellow broadcasters, musicians and media personalities from Durban remembering him as a passionate and influential figure in the city’s radio culture.

Former Vuma FM presenter Jacinta Ngobese Zuma posted on social media: “Eish Mfethu ulale ngoxolo.” (Oh brother, rest in peace). Kwaito star and Big Nuz member Danger also expressed his condolences, writing: “Rest easy, my brother.”

Colleagues and friends described Njinji as humble, dedicated and warm, noting that he used his platform to connect with listeners and give a voice to the community. Many highlighted his professionalism, love for radio, and the inspiration he provided to aspiring broadcasters.

Ukhozi FM listeners also paid tribute, sharing memories of his shows and praising the energy and authenticity he brought to the station. Fans said he made them feel heard and represented on air.

Details surrounding Njinji’s death have not been made public. Despite this, the reaction online reflects the respect and admiration he earned throughout his career.

In the tributes, Njinji has been remembered not only as a broadcaster but as a cultural contributor whose legacy will endure through the lives he touched. Condolences continue to be shared with his family, friends and colleagues.

Njinji Magwaza, born Mandla Magwaza on 8 December 1984 in KwaZulu-Natal, grew up in Jozini in the northern part of the province. Deeply connected to isiZulu culture and community, he developed a passion for sound and storytelling from an early age. While still in high school, he contributed gossip and entertainment pieces to Maputaland Community Radio, an early step towards a lifelong career in radio. Njinji was 41 years old at the time of his passing.

Over time, he became one of the most recognised voices for isiZulu radio audiences and later expanded into television, co-hosting the nationally broadcast talent show uShuni Womhlaba in 2024. Outside broadcasting, he was active in mentorship, brand partnerships, and youth-focused initiatives, dedicating his life to media, culture, and community engagement.

Career highlights

After matriculating in 2003, Njinji studied radio production and began formal work at Durban Youth Radio in 2005, hosting weekend night shows before winning the prime weekday afternoon drive slot. In 2007, he took on a freelance technical producer role with the SABC RBF department and, in 2008, joined SABC Radio Sales as an in-house sound engineer. In 2008, he joined Ukhozi FM as a technical producer, including for the Vuka Mzansi breakfast show fronted by Linda “Mr Magic” Sibiya. Over more than a decade, he rose from behind-the-scenes work to headline presenter, hosting the station’s Ukhozi FM Top 20, widely described as Africa’s largest music chart show. From 2010, he regularly filled in on prime-time shows, becoming a familiar voice to millions of isiZulu listeners. In television, Njinji co-hosted uShuni Womhlaba on SABC1, showcasing traditional and cultural music talent and translating his radio presence to a national visual audience.

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