NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top African songs of 2021 – part 1

23 Dec 2021 - 09:35

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Another year has passed defined by COVID-19’s ‘new normal’. The year 2021 was a challenging one for musicians, who generally rely on live performances as a main source of income. But most artists didn’t throw in the towel and remained determined to continue releasing good music that earned them awards at home and abroad. With the coronavirus showing no signs of ending anytime soon, as was witnessed by the emergence of a new highly transmissible variant globally, artists continued to focus on presenting their music digitally, where they could engage with fans from around the world and grow their brands for mass consumption.

Wizkid, Lady Du, Nutty O, Aya Nakamura and Busta 929.

With the help of our regional editors across the continent, Music In Africa has curated a two-part playlist of Africa’s most popular music in 2021. We have divided the playlist into the continent’s five regions, namely Southern Africa (part 1), West Africa (part 1), East Africa (part 2), Central Africa (part 2) and North Africa (part 2). We hope that you enjoy the music.

Southern Africa

South Africa is the colossus of the Southern African music industry and its artists keep on producing some of the most discernible releases on the continent. Amapiano has taken South Africa by storm, becoming the mainstream sound in 2021 and playing an influential role across Africa. Artists who dominated the genre throughout the year included Busta 929, Makhadzi, DJ Maphorisa, Kabza De Small, Lady Du and Durban Gogo. South African hip hop artists Focalistic, Blxckie and Lucasraps also made an impression this year. In Zimbabwe, musicians like Jah Prayzah, Nutty O, Ex Q and Anita Jaxson also worked hard to release memorable music throughout the year.

Umsebenzi Wethu by Busta 929 and Mpura ft. Zuma, Mr JazziQ, Lady Du & Reece Madlisa (SA)

Zwivhuya by Makhadzi ft. John Delinger (SA)

Takarasima by Jah Prayzah (Zim)

Ganama by Makhadzi (SA)

Handipere Power by Nutty O (Zimbabwe)

Izolo by DJ Maphorisa and Tyler ICU (SA)

Nyeredzi by Jah Prayzah (Zim)

BIG TIME SH'LAPPA by Blxckie ft. Lucasraps (SA)

Pompi by Freeman (Zim)

Ma Yellowbone by Makhadzi ft. Prince Benza (SA)

Be My Girl by Nutty O ft. Kay Chaps (Zim)

LiYoshona by Kwiish SA ft. Njelic, Malumnator and De Mthuda (SA)

Handina by Killer T (Zim)

Banyana by DJ Maphorisa and Tyler ICU (SA)

Vula Mlomo by Musa Keys (SA)

Patati Patata by Roki ft. Koffi Olomide and Rayvanny (Zim)

Gupta by Focalistic and Mr JazziQ ft. Lady Du, Mellow and Sleazy (SA)

Siyathandana by Cassper Nyovest ft. Abidoza and Boohle (SA)

Slide by Lucasraps (SA)

Possible by DBN Gogo, Musa Keys, Dinho and Lebza The Villain (SA)

Nkulunkulu by Kamo Mphela (SA)

Dakiwe by DBN Gogo and Lady Du ft. Mr JazziQ, Seekay and Busta 929 (SA)

Bhurugwa by Poptain (Zim)

John Wick by De Mthuda ft. Sir Trill and Da Muziqal Chef (SA)

Abalele by Kabza De Small and DJ Maphorisa ft. Ami Faku (SA)

Gcina Impilo Yami by DJ Cleo ft. Bucy Radebe (SA)

Vakorinde by Soul Jah Love and Tocky Vibes (SA)

Ebabayo by Prince Kaybee ft. Nokwazi (SA)

Megatron by Anita Jaxson (Zim)

I'm Fallin' by Black Coffee ft. RY X (SA)

Time by Black Coffee ft. Cassie (SA)

High On Your Love by Anita Jaxson (Zim)

Themba Lam by Master KG and Ghetto Kids ft. Mpumi and Prince Benza (SA)

Nezvangu by Ex Q (Zim)

West Africa

In the West Africa Anglophone region, Afrobeats took another step towards global domination. Led by a vibrant cohort of musicians and producers, the genre is responsible for some of 2021’s biggest hits. Nigeria’s Wizkid, Fireboy DML and Ladipoe as well as Ghana’s Black Sherif served as some of Afrobeats’ most notable architects. It was also a prolific year for artists in the West African Francophone industry. Many of them offered urban works, often inspired by the cultures of their land. Successful artists coming from this region were Azaya (Guinea), Josey (Ivory Coast) and Aya Nakamura (Mali/France), among many others.

Essence by Wizkid ft. Tems (Nigeria)

Peru by Fireboy DML (Nigeria)

Feeling by Ladipoe ft. Buju (Nigeria)

Second Sermon by Black Sherif (Ghana)

Forever by Gyakie (Ghana)

Kilometre by Burna Boy (Ghana)

Sip (Alcohol) by Joeboy (Nigeria)

Bunker by Kuami Eugene (Ghana)

Je M'appelle by Darkovibes ft. Davido (Ghana)

Touch It by KiDi (Ghana)

E Choke by Sefa ft. Mr Drew (Ghana)

Infinity by Olamide ft. Omah Lay (Nigeria)

High by Adekunle Gold ft. Davido (Nigeria)

Somebody’s Son by Tiwa Savage ft. Brandy (Nigeria)

Bounce by Ruger (Nigeria)

Monalisa by Lojay and Sarz (Nigeria)

Abotr3 by Amerado ft. Black Sherif (Ghana)

Ozumba Mbadiwe by Reekado Banks (Nigeria)

Kill Me by J Slught ft. Kpanto (Liberia)

Bloody Samaritan by Ayra Starr (Nigeria)

Understand by Omah Lay (Nigeria)

Gnomi avec lait by Fior 2 Bior ft. Niska (Ivory Coast)

Le Goût De by Rémy Adan (Ivory Coast)

Bobo by Aya Nakamura (Mali/France)

Ndeye by Jahman X-Press (Senegal)

Guuy by Jeeba (Senegal)

Trône Tigui by Azaya (Guinea)

Yeke Yeke by DJ Youcef ft. Soul Bang’s and Manamba Kanté (Guinea)

Natural Love by Wally Seck (Senegal)

Zambeleman by Josey ft. Bonigo (Ivory Coast)

Xol Ma Ci Bët by Iss 814 ft. Jeeba (Senegal)

See part 2 of our Top African Songs of 2021 playlist.

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