NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Afrobeats songs of 2023

09 Feb 2023 - 16:18

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The world is looking to Africa for the next phase of pop’s evolution. Enter Afrobeats, which last year completed the journey to becoming a leading world sound. Now a staple among audiences beyond the shores of West Africa, where it originated, it’s full steam ahead, and powered by a colourful pool of trusted veterans and exciting newcomers, Afrobeats continues its global ascent and dominance.

Omah Lay.

The sound’s infectious drums and percussion honour traditional influences, but also welcomes sonic innovation from everywhere. In 2022, the South African dance rhythm amapiano turned out to be the most notable element of the ongoing Afrobeats experiment. That trend seems to have carried over into the New Year, which is already churning out rich party jams and anthems.

Welcome to Music In Africa’s recurring curation of the top Afrobeats songs of the year. As per usual, this playlist, covering songs from across the continent, will be updated throughout the year to reflect the latest and most notable releases.

‘Amapiano’ by Asake ft. Olamide

Taken off his sophomore album Work of Art, ‘Amapiano’, which guests label boss Olamide, deepens Asake’s ongoing, boundary-pushing Fuji-pop experiment that beautifully marries Afrobeats and amapiano.

‘Charm’ by Rema

The salacious ‘Charm’ is one of six additional tracks on the deluxe version of Rema’s debut album Rave & Roses. While he boasts the biggest pop song globally in ‘Calm Down’, the new single demonstrates its author as not one to rest on his laurels.

‘Unavailable’ by Davido ft. Musa Keys

Packaged in joyful amapiano, ‘Unavailable’ finds Davido at his nonchalant best, celebrating major accomplishments, and the value of privacy. Protege Musa Keys’ syrupy vocals serve as a glorious counterpoint to Davido’s signature raspy delivery.

Soso by Omah Lay

This aching record is taken from Omah Lay’s groundbreaking debut album Boy Alone. Quintessential Afrobeats, the record summons nostalgic rhythms and caters to dance – never mind that the messaging is much darker.

‘Rich Till I Die’ by Kizz Daniel

‘Buga’ hitmaker Kizz Daniel picks up right where he left off last year, as one of Afrobeat’s foremost merchants at work today. Buga invites listeners to set aside their blues and head over to the dance floor. Its successor finds its author basking in the spoils of his efforts.

‘Ghetto Love’ by Camidoh

Ghanaian crooner Camidoh is best known for ‘Sugarcane’, likely Ghana’s most important contribution to Afrobeats. Not one to rest on his laurels, he has swiftly issued an EP titled A Lifetime Is Not Enough for 2023. The project is his second collection, and follows 2020's Contingency Plan. The upbeat, sax-filled ‘Ghetto Love’ is taken from the new project.

‘Asiwaju’ by Ruger

Ruger brings a unique dancehall bend to the mix, one that has made him an undisputed darling among the female constituency. On ‘Asiwaju’, the delicate singer brags about his stature in all of this. Afrobeats is winning and Ruger is sure to indent his place.

‘People’ by Libianca

Cameroonian singer Libianca has harnessed the viral power of TikTok and the appeal of mellow melodies to (re)introduce herself to Afrobeats’ mainstream. ‘People’, the song she has to thank for her newfound relevance, addresses themes of pain and depression, and masking all of that behind lovely smiles.

‘Abracadabra’ by Rexxie, Naira Marley and Skiibi

Nigerian producer Rexxie, who has worked with notable popstars including the Grammy-winning Burna Boy, enlists Naira Marley and Skiibi for ‘Abracadabra’, which manages to capture the rare street playfulness responsible for propelling a long list of artists to chart success (see Olamide, Zlatan, et al).

‘Shut Up’ by KiDi ft. Tulsi Kuma

Ghanaian singer KiDi’s ‘Touch It’ is a gift that keeps on giving. Originally released in 2021, off his album The Golden Boy, the record has charted endlessly, and spawned multiple updates. First, it was US rapper Tyga. Now, Indian music star Tulsi Kuma joins the fray, offering a fresh verse on the tune, which, on this occasion, has been renamed ‘Shut Up’.

Body & Soul by Joeboy

Joeboy loves a good love story and has excelled at love songs. A growing catalogue including two collections (an EP and an album) bears witness. The E Kelly-produced ‘Body & Soul’ is his latest offering.

‘Ta Ta Ta’ by Bayani

In August last year, Nigeria label Mavin Records named emerging singer Bayanni as its latest signing. The announcement was accompanied by a four-track eponymous EP. Focus track ‘Ta Ta Ta’, which mimics the sound of pair-bonding, has proven to be a sleeper hit, picking up steam and growing in demand in 2023.

‘Obaa Hemaa’ by Skyface SDW ft. O’Kenneth, Reggie, Beeztrap KOTM, Kwaku DMC and Jay Bahd.

On ‘Obaa Hemaa’, Ghanaian rapper Skyface SDW celebrates a love interest, calling on a number of his label mates, who are also celebrated as flagbearers of the country’s drill scene.

‘Ojapiano’ by Kcee

The selling point of the comeback offering by Kcee, the artist famous for hits like 2013’s ‘Limpopo’, lies in its innovative incorporation of the oja flute, a popular instrument among the Igbo ethnic group in southeastern Nigeria. This unique blend with the in-vogue amapiano rhythm has resulted in a refreshing addition to the pop music scene, ultimately revitalising Kcee’s brand.

‘Butta My Bread’ by JZyNo ft. Lasmid

Liberian pop singer Jzyno strikes gold with this single, his breakout single that guests Ghanaian counterpart Lasmid. Although the song’s subject matter revolves around the commonly used theme of love, the music itself shines with a catchy melody and captivating hook.

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