NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top SA hip hop songs of 2019

09 Oct 2019 - 10:48

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Hip Hop is among the biggest genres in South Africa and has forged a unique sound for itself through the incorporation of kwaito, house and traditional sounds.

AKA, Boity, Nadia Nakai and Cassper Nyovest.

The hip hop industry itself is churning out massive hits and making stars out of musicians who only a few years ago would have been considered 'underground'. The scene has become so big that many of South Africa's rappers have gained notoriety across the African continent and are garnering nominations and victories on international award platforms.

As we approach the end of the year, we have created a playlist of some of the top South African hip hop songs released in 2019. We will update the list if anything 'big' comes up. The songs below are in no particular order, so turn the volume up and enjoy!

'Main Ou's' by AKA, YoungstaCPT

'Main Ou's' was well-received by hip hop lovers and seems to be doing well. Relased in October, its video should exceed 1 million YouTube views by the end of the year.

'SMA' by Nasty C ft. Rowlene

This is so far the hip hop song with the most YouTube views this year.

'Utatakho' remix by Yanga Chief ft. Boity, Dee Koala and Riky Rick

This is one of the most powerful hip hop collaborations in 2019. Boity no doubt outdid everyone.

‘Khethile Khethile’ – Kwesta ft. Makwa, Tshego AMG, Thee Legacy

‘Khethile Khethile’ is a love song that pays homage to the Zulu culture. The slow-tempo is a fuses rap and vibrant maskandi guitars. The video for the song was released in May and had amassed almost 3 million view on YouTube by the beginning of October.

‘Jika’ – AKA ft. Yanga Chief

‘Jika’ is off AKA’s 2018 Touch My Blood album. The video for the song was directed and produced by Skystar Films and Nhlanhla 'Life of Nivo' Ndimande respectively. ‘Jika’ is among the top viewed YouTube hip hop videos in South Africa.

‘Whipped’ – Tellaman ft. Shekhinah, Nasty C

‘Whipped’ is off Tellaman’s God Decides 20-track debut album. Directed, filmed and edited by Kyle White, the video for the song celebrates love through powerful R&B vibes from Tellaman and Shekhinah, with catchy raps by Nasty C.

'Imma Boss' – Nadia Nakai

'Imma Boss is off Nadia Nakai's Nadia Naked album. In the song, the rapper boasts about being the a top South African hip hop artist. The colourful video shows the Zimbabwe-born rapper bragging about having toured Europe and insists she needs no one's advice in music. The lyrics are supposedly directed at her rivals. A cliché in the rap game but a good tune nonetheless.

‘Move for Me’ – Cassper Nyovest ft. Boskasie

The ‘Move For Me’ video is off Cassper Nyovest’s 2018 Sweet and Short Deluxe album. The song is a mid-tempo pop song, with reggae influences. Directed by Laurenzo Dlamini, the video was released on YouTube in May and stars US fitness trainer and model Jessica Burciaga. In the video, the half-naked pair are seen showing off their 'skilful' dance moves.

‘You and I’ – Riky Rick ft. Mlindo The Vocalist

The song is a celebration of love and was released on 14 February to coincide with Valentine’s Day and its video dropped two months after that. For this track Riky Rick employed the vocals of one of the country’s most sought-after singers.

'Bakae' – Boity

‘Bakae’ was released in February and has no video. In June, the song was among the top 10 trending songs in South Africa.

‘Strings and Bling’ – Nasty C

‘Strings and Bling’ is off Nasty C’s album of the same name. Directed and shot by Kyle White, beginning of the video features prominent figures in the South African hip hop scene such as Slikour and Ms Cosmo talking about the artist.

‘Right Now’ – Gemini Major ft. Nasty C and Tellaman

‘Right Now’ is powerful trap song that is perfect for a road trip. The song is off the album of the same name and features the powerful voice of South Africa-based Malawian rapper and producer Gemini Major, who is helped along by Nasty C and Tellaman.

‘Supa Dupa’ – K.O

K.O’s ‘Supa Dupa’ narrates the rapper’s challenges throughout his career, apparently defined by insincere and deceitful individuals. K.O, also known as Mr Cashtime, uses snakes in the video to drive home the message.

‘The Cape of Good Hope’ – YoungstaCPT

‘The Cape of Good Hope’ is YoungstaCPT's fourth video single off his debut album 3T. The video was produced and directed by YoungstaCPT and Dale Fortune. The song is about Cape Town's hip hop culture, beauty and history.

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