NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Tyla wins Best Afrobeats Award at MTV VMAs 2024

12 Sep 2024 - 08:09

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The winners of the MTV Video Music Awards 2024 (VMAs) were announced at the UBS Arena in New York on 11 September, with South African artist Tyla emerging top in the Best Afrobeats category against Nigerian musicians Burna Boy, Tems, Davido and Ayra Starr.

Tyla. Photo: Facebook

During her acceptance speech, Tyla described her win as “a big moment for Africa” and added that her hit single ‘Water’ made a global impact and was proof that “African music can be pop music too.

“Like this is just so special but also bittersweet, because I know there’s a tendency to group all African artists under Afrobeats,” she said. “African music is so diverse, it’s more than just Afrobeats.”

Meanwhile, Taylor Swift commanded the night with seven wins, tying for most overall, while Eminem dominated most solo male artist wins.

Below is the full list of winners:

Best Afrobeats

  • Tyla – ‘Water’
  • Ayra Starr ft. Giveon – ‘Last Heartbreak Song’
  • Burna Boy – ‘City Boys’
  • Chris Brown ft. Davido & Lojay – ‘Sensational’
  • Tems – ‘Love Me JeJe’
  • Usher, Pheelz – ‘Ruin’

Video of the Year

  • Taylor Swift ft. Post Malone – ‘Fortnight’
  • Ariana Grande – ‘we can’t be friends (wait for your love)’
  • Billie Eilish – ‘LUNCH’
  • Doja Cat – ‘Paint The Town Red’
  • Eminem – ‘Houdini’
  • SZA – ‘Snooze’

Best New Artist

  • Chappell Roan
  • Tyla
  • Benson Boone
  • Gracie Abrams
  • Shaboozey
  • Teddy Swims

Best R&B

  • SZA – ‘Snooze’
  • Alicia Keys – ‘Lifeline’
  • Muni Long – ‘Made For Me’
  • Tyla – ‘Water’
  • USHER, Summer Walker, 21 Savage – ‘Good Good’
  • Victoria Monét – ‘On My Mama’

Artist of the Year

  • Taylor Swift
  • Ariana Grande
  • Bad Bunny
  • Eminem
  • Sabrina Carpenter
  • SZA

Song of the Year

  • Sabrina Carpenter – ‘Espresso’
  • Beyoncé – ‘TEXAS HOLD 'EM’
  • Jack Harlow – ‘Lovin On Me’
  • Kendrick Lamar – ‘Not Like Us’
  • Taylor Swift ft. Post Malone – ‘Fortnight’
  • Teddy Swims – ‘Lose Control’

MTV Push Performance of the Year

  • August 2023: Kaliii – ‘Area Codes’
  • September 2023: GloRilla – ‘Lick or Sum’
  • October 2023: Benson Boone – ‘In The Stars’
  • November 2023: Coco Jones – ‘ICU’
  • December 2023: Victoria Monét – ‘On My Mama’
  • January 2024: Jessie Murph – ‘Wild Ones’
  • February 2024: Teddy Swims – ‘Lose Control’
  • March 2024: Chappell Roan – ‘Red Wine Supernova’
  • April 2024: Flyana Boss – ‘yeaaa’
  • May 2024: Laufey – ‘Goddess’
  • June 2024: LE SSERAFIM – ‘EASY’
  • July 2024: The Warning – ‘Automatic Sun’

Best Collaboration

  • Drake ft. Sexyy Red & SZA – ‘Rich Baby Daddy’
  • GloRilla, Megan Thee Stallion – ‘Wanna Be’
  • Jessie Murph ft. Jelly Roll – ‘Wild Ones’
  • Jung Kook ft. Latto – ‘Seven’
  • Post Malone ft. Morgan Wallen – ‘I Had Some Help’
  • Taylor Swift ft. Post Malone – ‘Fortnight’

Best Pop

  • Camila Cabello
  • Dua Lipa
  • Olivia Rodrigo
  • Sabrina Carpenter
  • Tate McRae
  • Taylor Swift

Best Hip Hop

  • Drake ft. Sexyy Red & SZA – ‘Rich Baby Daddy’
  • Eminem – ‘Houdini’
  • GloRilla – ‘Yeah Glo’
  • Gunna – ‘fukumean’
  • Megan Thee Stallion – ‘BOA’
  • Travis Scott ft. Playboi Carti – ‘FE!N’

Best Alternative

  • Benson Boone – ‘Beautiful Things’
  • Bleachers – ‘Tiny Moves’
  • Hozier – ‘Too Sweet’
  • Imagine Dragons – ‘Eyes Closed’
  • Linkin Park – ‘Friendly Fire’
  • Teddy Swims – ‘Lose Control (Live)’

Best Rock

  • Lenny Kravitz – ‘Human’
  • Bon Jovi – ‘Legendary’
  • Coldplay – ‘feelslikeimfallinginlove’
  • Green Day – ‘Dilemma’
  • Kings of Leon – ‘Mustang’
  • U2 – ‘Atomic City’

Best Latin

  • Anitta – ‘Mil Veces’
  • Bad Bunny – ‘MONACO’
  • KAROL G – ‘MI EX TENÍA RAZÓN’
  • Myke Towers – ‘LALA’
  • Peso Pluma & Anitta – ‘BELLAKEO’
  • Rauw Alejandro – ‘Touching The Sky’
  • Shakira & Cardi B – ‘Puntería’

Best K-Pop

  • LISA – ‘Rockstar’
  • Jung Kook ft. Latto – ‘Seven’
  • NCT Dream – ‘Smoothie’
  • NewJeans – ‘Super Shy’
  • Stray Kids – ‘LALALALA’
  • TOMORROW X TOGETHER – ‘Déjà vu’

Video For Good

  • Billie Eilish – ‘What Was I Made For (From The Motion Picture “Barbie”)’
  • Alexander Stewart – ‘if only you knew’
  • Coldplay – ‘feelslikeimfallinginlove’
  • Joyner Lucas & Jelly Roll – ‘Best For Me’
  • RAYE – ‘Genesis’
  • Tyler Childers – ‘In Your Love’

Best Direction

  • Taylor Swift ft. Post Malone – ‘Fortnight’
  • Ariana Grande – ‘we can’t be friends (wait for your love)’
  • Bleachers – ‘Tiny Moves’
  • Eminem – ‘Houdini’
  • Megan Thee Stallion – ‘BOA’
  • Sabrina Carpenter – ‘Please Please Please’

Best Cinematography

  • Ariana Grande – ‘we can’t be friends (wait for your love)’
  • Charli xcx – ‘Von dutch’
  • Dua Lipa – ‘Illusion’
  • Olivia Rodrigo – ‘obsessed’
  • Rauw Alejandro – ‘Touching The Sky’
  • Taylor Swift ft. Post Malone – ‘Fortnight’

Best Editing

  • Taylor Swift ft. Post Malone – ‘Fortnight’
  • Anitta – ‘Mil Veces’
  • Ariana Grande – ‘we can’t be friends (wait for your love)’
  • Eminem – ‘Houdini’
  • LISA – ‘Rockstar’
  • Sabrina Carpenter – ‘Espresso’

Best Choreography

  • Dua Lipa – ‘Houdini’
  • Bleachers – ‘Tiny Moves’
  • LISA – ‘Rockstar’
  • Rauw Alejandro – ‘Touching The Sky’
  • Tate McRae – ‘Greedy’
  • Troye Sivan – ‘Rush’

Best Visual Effects

  • Eminem – ‘Houdini’
  • Ariana Grande – ‘the boy is mine’
  • Justin Timberlake – ‘Selfish’
  • Megan Thee Stallion – ‘BOA’
  • Olivia Rodrigo – ‘get him back!’
  • Taylor Swift ft. Post Malone – ‘Fortnight’

Best Art Direction

  • Megan Thee Stallion – ‘BOA’
  • Charli xcx – ‘360’
  • LISA – ‘Rockstar’
  • Olivia Rodrigo – ‘bad idea right?’
  • Sabrina Carpenter – ‘Please Please Please’
  • Taylor Swift ft. Post Malone – ‘Fortnight’

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