NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ugandan pop singer faces 10 years in jail for sexy music video

29 May 2015 - 13:08

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Ugandan pop singer Panadol wa Basajja (real name Jemimah Kansiime) faces up to 10 years in jail for her sexy new music video, which conservative politicians feel contravenes a tough new anti-pornography law.

Panadol wa Basajja. Photo: AFP.

Panadol wa Basajja, 21, whose stage name literally means "medicine for men", released the steamy video for ‘Ensolo Yange’ in September 2014. The video features the singer dancing seductively in the shower, complete with close-ups of her soapy body. The video was a hit with her fans and has garnered over 350 000 views on Youtube to date.

Despite its popularity, Kansiime was arrested in November as part of Ugandan Ethics Minister Simon Lokodo’s moral crackdown. Her manager, Didi Muchwa Mugisha, who produced the video, was also detained. He pleaded guilty and was fined 200 000 Ugandan shillings (US$75), but Kansiime pleaded not guilty and was held for five weeks before posting bail.

Now she is facing up to 10 years in jail and is due back in court soon. The singer is the first person to be tried under the Anti-Pornography Act. The act was signed into law on 24 February 2014 by Ugandan President Yoweri Museveni, along with another controversial law, the Anti-Homosexuality Act that punishes same-sex conduct with life in prison, which drew international condemnation. The Anti-Pornography Act, on the other hand, is the government's attempt to ban porn or "any representation of the sexual parts of a person for primarily sexual excitement".

Critics see it is part of a growing anti-liberal movement in Uganda, where religious-driven conservatism appears to be on the rise. Human Rights Watch has argued that the law defines pornography so loosely that it has encouraged public attacks on women wearing skimpy clothing.

Producer Didi, who walked away scot-free after pleading guilty, is no stranger to sex-fuelled videos, including for his own tracks ‘Injection Time’ and ‘So Tight’ and the songs of other Ugandan artists, such as Nambi Brenda and Sizzaman.

Other African stars have also faced criticism from conservative commentators recently for their sexy music videos, most notably Kenyan band Sauti Sol’s ‘Nishike’ and Nigerian star Tiwa Savage’s ‘Wanted’.

"My rights have been trampled upon”

In an interview with AFP, the Ugandan singer said she was drawing inspiration from her idols - including Rihanna and Nicki Minaj, two of the most successful female artists in the world at the moment, who are frequently caught in various states of undress, particularly in their music videos - that sex sells. "I was aware that there are some sections of society that are conservative," said Kansiime. "I was just experimenting to see if I put on a short, will the audience like it? When I was making that video, I never intended it for children - I intended it for adults. I did not sell or distribute the song.”

Kansiime said she never dreamt that dancing in her underwear was breaking the law. "My rights have been trampled upon, my freedom of expression has been trampled upon," she told AFP in Kampala.

Her lawyer, Isaac Semakadde, argues the case is a test for the right of Ugandan artists to express themselves. "That right to erotic entertainment, there has to be a space for it in an open and free society," he told AFP, saying divisions must be made between clearly criminal offences such as child pornography. "To ban all forms of pornography, all forms of nudity, is outrageous," he said.

Ethics Minister Simon Lokodo recently boasted that he and his "intelligence team" are "on the ground" watching such singers closely. "That's why Panadol was arrested," he reportedly said, describing her videos as "very obscene and vulgar", and warning of more arrests. The former priest said singers such as Rihanna were "the type of people I'm condemning... She's a very provocative dancer. There's nothing at all good there."

In his continued crackdown on pornography, Lokodo this year ordered police to arrest men who procure prostitutes and described a popular local TV dating show as prostitution. Local media reported that he also confronted Uganda's youngest MP when she walked into parliament in a short skirt.

Semakadde accuses the ethics ministry of ignoring more pressing issues. "The decadence in society does not start and stop with prostitution," he said. "There's corruption - but they have no answers to that, so they go for the most vulnerable."

Kansiime is due next in court later this month. Semakadde said he will request the case is halted while the Constitutional Court deals with a separate petition brought by activists against the law, arguing it is "overbroad and vague". Semakadde ultimately wants it scrapped. Amnesty International has also called for the law to be repealed.

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