NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Wizkid wins MTV VMA for Beyoncé’s Brown Skin Girl

13 Sep 2021 - 11:33

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The 2021 MTV Video Music Awards (VMAs) took place at the Barclays Center in Brooklyn, New York, on 12 September, with Beyoncé’s ‘Brown Skin Girl’ featuring Wizkid winning the Best Cinematography Award. 

Wizkid.

The award makes the Afrobeats star Africa’s sole winner at this year’s ceremony, which also saw Ghana’s Shatta Wale in contention for the Best Art Direction accolade. It also arrives amid Wizkid’s international tour in support of his 2020 album Made in Lagos. The tour is scheduled for the US throughout September and October, after which Wizkid will travel to the UK and Canada to perform for his fans in those countries.

‘Brown Skin Girl’, which also feautres Beyoncé’s daughter Blue Ivy Carter and R&B singer SAINt JHN, beat off competition from Billie Eilish, Foo Fighters, Chance The Rapper, Lady Gaga and Lorde.

The award adds to an impressive list of victories for ‘Brown Skin Girl’, which is off Beyoncé’s 2020 musical film and visual album Black Is King. Earlier this year, ‘Brown Skin Girl’ won the Grammy Award for Best Music Video and earned the Nigerian a second consecutive NAACP Image Award in March. The song also won the Ashford & Simpson Songwriter’s Award at the 2019 Soul Train Music Awards and the Music Video of the Year Award at the same awards ceremony a year later.

It was also nominated in the Best R&B category at the 2021 MTV VMAs but lost out to ‘Leave the Door Open’ by Bruno Mars, Anderson .Paak and Silk Sonic.

Meanwhile, Video of the Year, the night’s biggest award, went to Lil Nas X’s ‘Montero (Call Me By Your Name)’, while Justin Bieber was named Artist of the Year.

Below is the full list of winners:

Video of the Year

  • ‘WAP’ by Cardi B ft. Megan Thee Stallion
  • ‘Popstar’ by DJ Khaled ft. Drake (starring Justin Bieber)
  • ‘Kiss Me More’ Doja Cat ft. SZA
  • ‘Bad Habits’ by Ed Sheeran
  • ‘Montero (Call Me By Your Name)’ by Lil Nas X
  • ‘Save Your Tears’ by The Weeknd

Artist of the Year

  • Ariana Grande
  • Doja Cat
  • Justin Bieber
  • Megan Thee Stallion
  • Olivia Rodrigo
  • Taylor Swift

Song of the Year

  • ‘Mood’ by 24kGoldn ft. Iann Dior
  • ‘Leave the Door Open’ by Bruno Mars, Anderson .Paak, Silk Sonic
  • ‘Dynamite’ by BTS
  • ‘WAP’ by Cardi B ft. Megan Thee Stallion
  • ‘Levitating’ by Dua Lipa
  • ‘Drivers License’ by Olivia Rodrigo

Best New Artist

  • 24kGoldn
  • Giveon
  • The Kid LAROI
  • Olivia Rodrigo
  • Polo G
  • Saweetie

Push Performance of the Year

  • ‘Are You Bored Yet?’ by Wallows (September 2020)
  • ‘Daisy’ by Ashnikko (October 2020)
  • ‘Gorgeous’ by SAINt JHN (November 2020)
  • ‘Coco’ by 24kGoldn (December 2020)
  • ‘Break My Heart’ by JC Stewart (January 2021)
  • ‘Sex Lies’ by Latto ( February 2021)
  • ‘Selfish’ by Madison Beer (March 2021)
  • ‘Without You’ by The Kid LAROI (April 2021)
  • ‘Drivers License’ by Olivia Rodrigo (May 2021)
  • ‘Serotonin’ by Girl In Red (June 2021)
  • ‘My Slime’ by Fousheé (July 2021)
  • ‘Think About Me’ by Jxdn (August 2021)

Best R&B

  • ‘Brown Skin Girl’ by Beyoncé, Blue Ivy, SAINt JHN and Wizkid
  • ‘Leave the Door Open’ by Bruno Mars, Anderson .Paak, Silk Sonic
  • ‘Go Crazy’ by Chris Brown and Young Thug
  • ‘Heartbreak Anniversary’ by Giveon
  • ‘Come Through’ by H.E.R. ft. Chris Brown
  • ‘Good Days’ by SZA

Best K-Pop

  • ‘DUMDi DUMDi’ by (G)I-DLE
  • ‘Ice Cream’ by BLACKPINK and Selena Gomez
  • ‘Butter’ by BTS
  • ‘Gambler’ by Monsta X
  • ‘Ready to Love’ by SEVENTEEN
  • ‘Alcohol-Free’ by Twice

Video for Good

  • ‘Your Power’ by Billie Eilish
  • ‘Dancing With the Devil’ by Demi Lovato
  • ‘Fight For You’ by H.E.R.
  • ‘Worldwide Beautiful’ by Kane Brown
  • ‘Montero (Call Me By Your Name)’ by Lil Nas X
  • ‘Entrepreneur’ by Pharrell Williams ft. Jay-Z

Best Direction

  • ‘Your Power’ by Billie Eilish. Directed by: Billie Eilish
  • ‘Popstar’ by DJ Khaled ft. Drake (starring Justin Bieber). Directed by: Julien Christian Lutz aka Director X
  • ‘Montero (Call Me By Your Name)’ by Lil Nas X. Directed by: Lil Nas X and Tanu Muino
  • ‘Willow’ by Taylor Swift. Directed by: Taylor Swift
  • ‘Franchise’ by Travis Scott ft. Young Thug & M.I.A. Directed by: Travis Scott
  • ‘Lumberjack’ by Tyler, The Creator. Directed by: Wolf Haley

Best Cinematography

  • ‘Brown Skin Girl’ by Beyoncé, Blue Ivy, SAINt JHN and Wizkid. Cinematography by: Benoit Soler, Malik H. Sayeed, Mohammed Atta Ahmed, Santiago Gonzalez, Ryan Helfant
  • ‘Therefore I Am’ by Billie Eilish. Cinematography by: Rob Witt
  • ‘Shame Shame’ by Foo Fighters. Cinematography by: Santiago Gonzalez
  • ‘Holy’ by Justin Bieber ft. Chance The Rapper. Cinematography by: Elias Talbot
  • ‘911’ by Lady Gaga. Cinematography by: Jeff Cronenweth
  • ‘Solar Power’ by Lorde. Cinematography by: Andrew Stroud

Best Art Direction

  • ‘Already’ by Beyoncé, Shatta Wale, Major Lazer. Art Direction by: Susan Linns, Gerard Santos
  • ‘Bad Habits’ by Ed Sheeran. Art Direction by: Alison Dominitz
  • ‘911’ by Lady Gaga. Art Direction by: Tom Foden, Peter Andrus
  • ‘Montero (Call Me By Your Name)’ by Lil Nas X. Art Direction by: John Richoux
  • ‘Best Friend’ by Saweetie ft. Doja Cat. Art Direction by: Art Haynes
  • ‘Willow’ by Taylor Swift. Art Direction by: Ethan Tobman, Regina Fernandez

Best Visual Effects

  • ‘Build a Bitch’ by Bella Poarch. Visual Effects by: Andrew Donoho, Denhov Visuals, Denis Strahhov, Rein Jakobson, Vahur Kuusk, Tatjana Pavlik, Yekaterina Vetrova
  • ‘Higher Power’ by Coldplay. Visual Effects by: Mathematic
  • ‘You Right’ by Doja Cat & The Weeknd. Visual Effects by: La Pac, Anthony Lestremau, Julien Missaire, Petr Shkolniy, Alexi Bailla, Micha Sher, Antoine Hache, Mikros MPC, Nicolas Huget, Guillaume Ho Tsong Fang, Benjamin Lenfant, Stephane Pivron, MPC Bangalore, Chanakya Chander, Raju Ganesh, David Rouxel
  • ‘Tangerine’ by Glass Animals. Visual Effects by: Ronan Fourreau
  • ‘Montero (Call Me By Your Name)’ by Lil Nas X. Visual Effects by: Mathematic
  • ‘All I Know So Far’ by P!NK. Visual Effects by: Dave Meyers, Freenjoy Inc

Best Choreeography

  • ‘34+35’ by Ariana Grande. Choreography by: Brian Nicholson & Scott Nicholson
  • ‘Butter’ by BTS. Choreography by: Son Sung Deuk with BHM Performance Directing Team
  • ‘Bad Habits’ by Ed Sheeran. Choreography by: Natricia Bernard
  • ‘Shame Shame’ by Foo Fighters. Choreography by: Nina McNeely
  • Harry Styles — “Treat People With Kindness” — Choreography by: Paul Roberts
  • ‘Be Kind’ by Marshmello & Halsey. Choreography by: Dani Vitale

Best Editing

  • ‘Leave the Door Open’ by Bruno Mars, Anderson .Paak, Silk Sonic. Editing by: Troy Charbonnet
  • ‘Butter’ by BTS. Editing by: Yong Seok Choi from Lumpens
  • ‘What’s Next’ by Drake. Editing by: Noah Kendal
  • ‘Treat People With Kindness’ by Harry Styles. Editing by: Claudia Wass
  • ‘Peaches’ by Justin Bieber ft. Daniel Caesar, Giveon. Editing by: Mark Mayr, Vinnie Hobbs
  • ‘Prisoner’ by Miley Cyrus ft. Dua Lipa

Group of the Year

  • Blackpink
  • BTS
  • CNCO
  • Foo Fighters
  • Jonas Brothers
  • Maroon 5
  • Silk Sonic
  • Twenty One Pilots

Song of the Summer

  • ‘Happier Than Ever’ by Billie Eilish
  • ‘Butter’ by BTS
  • ‘Don’t Go Yet’ by Camila Cabello
  • ‘Every Chance I Get’ by DJ Khaled feat. Lil Baby and Lil Durk
  • ‘Need To Know’ by Doja Cat
  • ‘Levitating’ by Dua Lipa
  • ‘Bad Habits’ by Ed Sheeran
  • ‘Heartbreak Anniversary’ by Giveon
  • ‘Peaches’ by Justin Bieber ft. Daniel Caesar and Giveon
  • ‘Stay’ by The Kid LAROI with Justin Bieber
  • ‘Industry Baby’ by Lil Nas X ft. Jack Harlow
  • ‘Rumors’ by Lizzo ft. Cardi B
  • ‘Thot Shit’ by Megan Thee Stallion
  • ‘Wild Side’ by Normani ft. Cardi B
  • ‘Good 4 U’ by Olivia Rodrigo
  • ‘Summer Of Love’ by Shawn Mendes and Tainy

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