NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Yaba Buluku Boyz talk about fusing Afrobeats and amapiano

29 May 2024 - 12:43

cc-img flag-img

In a music industry where innovation is crucial for longevity, Mozambican trio Yaba Buluku Boyz has earned a spot on the scene by fusing Afrobeats and amapiano and in the process creating a sound that has captivated diverse audiences.

Yaba Buluku Boyz: DJ Tarico, Nelson Tivane and Preck.

Comprising DJ Tarico, Nelson Tivane and Preck, Yaba Buluku Boyz have been working together for about four years. They are now signalling their readiness to conquer Africa and the rest of the world with their infectious sound.

“We’re on a mission to unite Africa through music,” DJ Tarico, the trio’s producer, tells Music In Africa. “Our blend of Afrobeats and amapiano is inspired by our passion for crossover reach and our desire to make a mark in the African music scene.”

With the release of their recent album Donsa, it looks like Yaba Buluku Boyz are on their way to positioning themselves at the forefront of the African music scene. At the moment, they’re enjoying about 200 000 monthly listeners on Spotify, and their song ‘The One (Chop Life)’ alongside Nigerian Afrobeats artist Crayon is close to surpassing 7 million plays on the streaming service.

They’ve also worked with Burna Boy (Nigeria), Yemi Alade (Nigeria), Falz (Nigeria), Jah Prayzah (Zimbabwe), Makhadzi (South Africa) and Harmonize (Tanzania), proving that cross-border collaborations are where the game is at. Their music has gone even further into the collaborative space by working with Francophone African artists like Ivory Coast’s Didi B and Cameroonians Blanche Bailly and Stanley Enow.

Preck says the idea of blending amapiano with Afrobeats was inspired by their collaboration with Burna Boy on the track ‘Yaba Buluku’, on which he and Nelson Tivane were featured.

“We carry a culture that represents our people, and we’re proud to be the pride of Mozambique. Our pan-African vision keeps us grounded and learning from other cultures,” Preck says.

Lyricist and performer Nelson Tivane adds: “We want our listeners to have an experience whenever they watch us perform or sing our songs ... We hope that our listeners relate to our stories, passion and energy. We want our music to be part of their lifestyle, and we’re grateful for the support.”

Like most others, Yaba Buluku Boyz have faced challenges navigating the music industry, but with hard work, experimenting with different collaborators and the guidance of Geobek Records’ George Beke, they’re finding the success they deserve.

“We’re not just achieving milestones for ourselves but for our country and the African music industry as a whole. We’ve learnt that making music in African dialects flows smoothly, and our African languages have something that connects us,” DJ Tarico says

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media