NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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COVID-19 and mental health in the music industry

Home/Non classé/COVID-19 and mental health in the music industry

According to the South African Depression and Anxiety Group, about one in three people suffer, or will suffer, from a mental illness at some point in their lifetime. More than 73% of independent music makers experienced symptoms of mental illness, anxiety and depression, according to a 2019 study. These were also the most commonly experienced negative emotions in relation to music creation. With most performers’ income expected to take a knock due to tour cancellations, levels of anxiety and depression may rise. This, in combination with social distancing and being isolated at home during quarantine periods could lead to heightened stress levels for musicians and all those who ply their trade in public.

Through the use of various credible sources, we look at the mental health issues that could arise from the effects of the global pandemic, as well as some of the methods music professionals can employ to deal with them.

Financial stress increases mental health issues

Studies have shown that people who are in debt have higher rates of mental health issues, particularly depression and anxiety. Expert and development strategist for social justice organisation Masikhule Innovations Mthetho Tshemese says musicians who find themselves financially strained could develop mental complications. “They are likely to experience high levels of anxiety and may struggle with the adjustment of dealing with the massive uncertainty,” he says. “Live performances contribute to the day-to-day running of musicians’ lives. I saw Thandiswa Mazwai’s tweet where she breaks down the negative impact caused by the coronavirus. It remains to be seen what the duration of the impact is going to be.”

Celebrities are even more vulnerable

There is also evidence that social perceptions contribute to financial stress, where individuals with a higher perceived social standing tend to exhibit a stronger relation between negative financial events and mental stress. This could mean that musicians who command a higher social status may be more likely to develop a mental health complication.

Social isolation may lead to more problems

Evidence suggests that social isolation contributes to poor health and reduces the immune system’s ability to fight off diseases. Social isolation is also linked to health issues such as high blood pressure and cardiovascular disease, and vulnerability to infection.

Isolation in itself is said to make stressful situations harder to deal with, which means musicians who are isolated may find it harder to deal with pre-existing mental challenges.

There is also a level of paranoia that comes with occurrences like a pandemic. We’re already seeing paranoia playing out with recent cases of panic buying. This fear can be attributed in part to excessively overthinking a situation. UK-based counselling psychologist Dr Lucy Atcheson says one of the most dangerous things for your mental health is having too much time to think about your life critically. “When self-isolating you’ve got a lot of time to think and it’s very common to experience massive life dissatisfaction as a result,” she says.

Substance abuse

The culture of self-medication and substance abuse in the music industry could also pose a challenge for musicians. Some artists may turn to alcohol and drugs as a coping mechanism for financial stress and social isolation, which could result in further mental health problems. The Centers for Disease Control and Prevention in the US has published this page that individuals can use as a general guide to manage stress and anxiety. There is also additional reading at the bottom of the page.

Preventions

Monitor the changes

According to Tshemese it is important that individuals pay attention to changes that may point to mental health issues. These could include fits of anger, malaise, a prolonged sense of cynicism, weight loss, neglect of hygiene and an unwillingness to communicate with others over the phone or online, among others.

“People need to monitor their general emotional energy,” Tshemese says. “Things like how they feel in the morning, their sleeping patterns, and general sense of hope.”

Don’t get drawn into a negative spiral

South African music therapist Diane Maris says musicians should turn a negative situation into a positive one and concentrate on the work they usually do not have the time for.

“Reframe your mind from ‘I can’t perform’ to ‘I can finally write and record that song’,” she says. “Approaching this time with feelings of being trapped will aggravate your stress levels. Instead, use the time as a chance to focus on yourself. Be aware of what is anxiety and what is reality in your thoughts and conversations. It’s about keeping equilibrium and distinguishing between the perspectives. Music can also be used in a therapeutic form that counteracts the anxiety due to all the hype from the pandemic.”

Stay healthy and boost your immune system (with music)

Eat a healthy, well-balanced diet and avoid alcohol and drugs. Also remember to stay active by exercising, stretching and meditating during this time of restricted movement. The human body is not designed to stay in confined spaces. Listening to music can also improve your body’s defence system. This is according to psychologists who believe that listening to upbeat music can boost immune functionality.

Maintain a daily routine

Try to maintain some of your normal daily structure from the pre-quarantine days, such as waking up and going to bed around the same time, and eating meals as you would normally. Try not to watch too much TV late into the night to avoid flipping your day and night around. Evidence suggests that humans are designed to sleep at night. Doing all-nighters is not only dangerous for your mental health but also for your physical well-being.

Limit news intake

With the freeing of time from social obligations, people may be inclined to obsess by over-researching the pandemic. Reduce your intake by limiting the amount of news content you watch, read or listen to. If you do want to be up to date with what is happening with the coronavirus pandemic around the world, make sure you consume credible media and sources. Misinformation and fake news could easily intensify levels of stress and anxiety.

Online support and phone counselling services

Tshemese says people should explore online musicians’ community groups and phone counselling services as an option to talk to a professional if depression and anxiety become unmanageable.

“Musicians can form healing circles wherein they create a safe online space to support each other emotionally,” he says.

He also urges musicians to contact the South African Depression and Anxiety Group, which has free telephonic counselling services. “They also have a network of psychologists, social workers and other mental health professionals to whom they refer. Government departments such as Social Development, Health and Education have mental health services that can also assist any artists experiencing changes in mental behaviour.”

Maris said: “It’s also important to stay in touch with your friends and family. Have conversations about your feelings with people you trust. Artists can also help other people identify their own emotional stress through music and online engagement.”

It is highly recommended to seek professional assistance when you think you may be experiencing mental health challenges. In South Africa you may call the South African Depression and Anxiety Group to speak to a counsellor between 8am and 8pm on Monday to Sunday on 011 234 4837. You can also contact Diane Maris for consultation on 082 926 0548.

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