NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Call for applications: Goethe-Institut International Co-production Fund

Home/Non classé/Call for applications: Goethe-Institut International Co-production Fund

Established in 2016, the fund supports co-productions worldwide that grow out of collaborative and dialogue-based working processes in the fields of music, dance, theatre and performance art. It is used to promote innovative productions and international cultural exchange as well as new approaches to intercultural collaboration and networking.

Funding is meant to support professional performing artists, ensembles and initiatives in Germany and non-German-speaking countries in the fields of music, dance, theatre and performance art with insufficient means of their own to realise an international coproduction.

In particular, applications for funding from developing and transition countries are welcome.

What it funds

The International Coproduction Fund provides funding for international co-productions that are likely to be of high artistic calibre and have some impact on the respective arts scene. Hybrid and interdisciplinary formats and the use of digital media may be important elements of these coproductions. Collective artistic development of the project is a prerequisite, which is the reason funding is not provided for projects that involve nothing but guest performances, tours or appearances at festivals.

Funding criteria

  • The projects for which funding is requested must centre on the performing arts (no exclusively film- or exhibition-based projects).
  • Calibre of the project.
  • Standing of the participating artists in their performing arts scene.
  • Budget showing own/third-party funding and a sound financial plan.
  • Balanced project partnership, artistic collaboration.
  • At least one performance outside of Germany and, if possible, in Germany, too.
  • Project period should not exceed 24 months.

Required documents

Applications to the International Coproduction Fund must be submitted online in English.

This blank application form provides an overview of the breakdown of the online form:

Please read the explanatory notes and run down the checklist before submitting your application.

Also familiarise yourself with:

Information about the application process

The applicant or first co-producer must be an artist or ensemble from a non-German-speaking country. They are to serve as the main contact for the project, conclude the agreement with the local Goethe-Institut and manage the grant money. The applicant may be an individual or a legal entity (company, association, etc).

Funding requires collaboration between at least two parties, one of whom must be an artist or ensemble from Germany. Involving third parties and other coproducers is not a prerequisite for coproduction funding, but does improve your chances of obtaining a grant. Goethe-Institut deliberately uses “co-producer” in a broad sense: what is decisive is that a co-producer should make a substantial contribution to the production.

For enquiries about pending or previous applications, make sure to provide your application number.

The application deadline for the 13th funding round is 7 November 2022, addressing projects starting in 2023.

Starting with this round, the fund will implement a new, two-stage application process:

  • In the first step, a project pitch of max. 2 500 characters as well as key information on the coproducers and the project budget will be submitted.
  • For the second, more-extensive application step (in the same structure as previous applications), only those projects that were able to pass the pitch in the first step will be activated. In case of a positive feedback, applicants will have another three weeks to submit the complete application.

As in the previous funding round, contacting the local Goethe-Institut is a requirement (mandatory information) for submitting a funding application. Please note that there will only be one funding round in 2023.

View the original call here.

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