NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Tapuwanashe Munyayi
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Tapuwanashe Munyayi

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Windhoek, Namibia

In operation since:

2021

Contact person:

Tapuwanashe Munyayi

BIO

Savannah Afros is a dynamic and socially conscious musical group hailing from Windhoek, Namibia. Founded on a profound passion for music, culture, and social justice, this eclectic ensemble has made an indelible mark on the global music scene. Their unique sound, characterized by a blend of Afro fusion jazz, soul, pop, and traditional music, has won the hearts of audiences worldwide.

The Genesis:
The story of Savannah Afros began with a shared vision among a group of talented musicians, songwriters, and social activists in Windhoek. United by their desire to create music that resonates with the soul and speaks to the issues that matter, the band's journey commenced.

A Musical Journey of Diversity:
Savannah Afros draws inspiration from a rich tapestry of musical styles. Their compositions incorporate elements of Afro fusion jazz, evocative soul, catchy pop, and the timeless resonance of traditional rhythms. The result is a sound that transcends boundaries, appealing to listeners of all ages and backgrounds.

Performances That Ignite:
Savannah Afros' live performances are nothing short of electrifying. Their shows are characterized by intricate instrumentation, powerful vocals, and a magnetic energy that captivates audiences. Whether they're playing in local venues or gracing international stages, their music has a universal appeal that transcends borders.

Collaborations and Recognition:
Over the years, Savannah Afros has collaborated with a diverse array of artists, both local and international. These partnerships have enriched their musical journey, exposing them to fresh ideas and cultures. Their performances, both at home and abroad, have earned them respect and acclaim. Sharing the stage with artists they admire, such as Chiwoniso Maraire, Ras Sheehama, Oliver Mtukudzi, Elemotho Shiva Child, and many more, has solidified their reputation in the global music scene.

Social Justice and Cultural Identity:
Savannah Afros' lyrics are imbued with messages of social justice, cultural identity, and personal experiences. Their songs serve as anthems for change, touching on issues close to their hearts. Through their music, they address themes like equality, identity, and unity, driving their message of hope and transformation.

International Presence:
Savannah Afros' music knows no boundaries. They've performed in several Southern African Development Community (SADC) countries and parts of Europe, garnering praise for their exceptional sound and powerful performances. They've graced prestigious festivals and events, showcasing their talent to diverse audiences and establishing themselves as true global ambassadors of Namibian music.

The "Kitchen Encounters" Project:
Currently, Savannah Afros are hard at work on their upcoming album, "Kitchen Encounters." This album is a product of the "Afro Encounter" Project, a creative journey that commenced in December 2021. This endeavor exemplifies their commitment to promoting cross-cultural exchange, social justice, and artistic excellence.

Savannah Afros has become one of the most beloved and respected musical acts in Namibia and beyond. Their music isn't just a soundtrack; it's a rallying cry for positive change, cultural celebration, and artistic ingenuity. With each note they play and each lyric they sing, Savannah Afros continues to inspire and uplift audiences around the world.

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Music

06. WARI (argent/money)

412 Mali
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06. WARI (argent/money)

412 Mali
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06. WARI (argent/money)

412 Mali
4:48

06. WARI (argent/money)

412 Mali
4:48

06. WARI (argent/money)

412 Mali
4:48

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Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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