NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Nigerians dominate Billboard US Afrobeats Songs chart

Home/Non classé/Nigerians dominate Billboard US Afrobeats Songs chart

The chart was launched through a partnership between Afrobeats festival brand Afro Nation and music and entertainment magazine Billboard. Afro Nation was also responsible for initiating the weekly Official Afrobeats Chart on BBC Radio 1Xtra in 2020.

The Billboard US Afrobeats Songs chart, which was fuelled by the genre’s growing global demand, ranks the top 50 Afrobeats songs in the US based on official streaming data from leading audio and video music services, as well as download sales from top music retailers. The chart aggregates data from both subscription and ad-supported tiers on digital service providers.

CKay occupies the No 1 spot of the chart with his global hit ‘Love Nwantiti (Ah Ah Ah)’. Originally released in 2019, the track has been a TikTok staple since its revival last year. It amassed 4.7 million streams in the US during the 18-24 March tracking week, according to data and analytics company Luminate.

CKay’s ‘Love Nwantiti (Ah Ah Ah)’ is followed by fellow Nigerian Fireboy DML’s Ed Sheeran-assisted ‘Peru’, Wizkid’s ‘Essence’ featuring TemsOmah Lay’s ‘Attention’ featuring Justin Bieber, and Tems’ ‘Free Mind’, which make up the top five on the chart.

Like the top five, the rest of the chart is occupied almost entirely by Nigerians, backing their repute as the collective face of the genre, which also enjoys prominence in other West African countries such as Ghana. Tems’ name appears eight times on the chart, while Wizkid and Burna Boy follow with six and five inclusions respectively. 

US-based Ghanaian music producer Nektunez’s amapiano remix of E.R.A’s ‘Ameno’ featuring Nigeria’s Goya Menor holds the No 7 spot, while Ghana’s Kelvyn Boy made his debut at No 20 with ‘Down Flat’.

Announcing the chart last week, Billboard senior vice-president of charts and development Silvio Pietroluongo said: “As with much of the world, Afrobeats has grown tremendously as a genre in America and we are proud to showcase the top songs and artists with this new weekly ranking.”

Afro Nation founder, co-head of UTA London and Event Horizon founder Obi Asika noted the genre’s global explosion over the past 10 years, adding that “there is still so much more potential within the scene and the community that has grown around it and I believe it is vital that with Billboard we now have a US chart that reflects this growth and provides a platform for emerging artists from every continent to showcase their talent to new audiences.”

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