NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Cape Town International Jazz Festival is here!

30 Mar 2017 - 10:51

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The 18th edition of the Cape Town International Jazz Festival roared to life yesterday with a pre-festival free community concert at the Mother City’s Green Market Square. The star-studded carnival will on Friday and Saturday unleash talent from local and international musicians who are expected to draw thousands of jazz lovers to the scenic city.

Manu Dibango and Moreira Chonguica are among the collaborations at this year's festival.

This year’s edition features quality artists, many of them African musicians collaborating to add a pan-African twist to the festival. As such, Cape Town once more becomes a setting of eclectic live acts from across the African continent and the world over.

Tomorrow night, Grammy-nominated saxophonist and vibraphonist Manu Dibango (Cameroon) and South African Music Award (SAMA) winner Moreira Chonguica (Mozambique) will give fans a taste of their local traditional and contemporary sounds. The duo is expected to perform songs from Chonguica’s album The Moreira Project, Volume 2. Chonguica, an internationally celebrated jazz saxophonist, featured Dibango on this 2009 18-track album, which demonstrates the vast scope of influences of the two musicians.

Also to watch on opening night is Tresor, a SAMA-winning singer and producer from the Democratic Republic of the Congo. The Cape Town-based singer has scored top-20 hits on popular local radio stations such as 5FM, Agoa FM, Good Hope FM and Heart FM. Festivalgoers should look forward to tracks such as ‘Mount Everest’, ‘Never Let Me Go’ and ‘Evergreen’. Tresor will pepper his performance with the talent “borrowed” from Nigeria’s Fela Kuti, whom he lists among his main influences.

Jokko, a pop, dance and jazz ensemble of African instrumentalists, will add even more pan-African weight to the festival. Featuring five notable traditional players from Mozambique, Senegal and Morocco, the group will perform on Saturday after the US’ Darren English. Fans will get the chance to experience new sounds from the instrumentalists, who come from a distinguished lineage of griots. This performance is one not to be missed.

Adding to the collaborative list are Indian artists Deepak Pandit and Ranjit Baroz, who will share the stage with Marcus Wyatt, a renowned South African trumpeter, composer and producer. With a music career characterised by various collaborations, Pandit is expected to present a compelling performance with Wyatt and Baroz. A master in his own right, Pandit has many years of training under the guidance of his father, which enabled him to develop a deep understanding of multiple traditional schools of music as well as Western classical music. Fans should expect a mixture of traditional Indian and Western music from this group

Shining a light on homegrown talent are South African artists Thandiswa Mazwai, Judith Sephuma, Nomfundo Xaluva and Siya Makuzeni. These female musicians are rated among the most treasured artists in the country. Other local talents on offer are Tsepo Tshola, Jonas Gwanga and Friends, Ernie Smith, Vudu and Pops Mohamed, among others.

Among the artists who will add an international flavor to the festival are Tom Misch (UK), En Vogue (US), Escalandrum (Argentina), Jameszoo (Netherlands) and The Internet (US).

The Cape Town International Jazz Festival has grown to become one of the most recognised festivals in Africa. Affectionately referred to as ‘Africa’s Grandest Gathering’, the event is famous for delivering every year a star-studded line-up featuring international and local artists in the jazz and jazz-related genres. This year’s edition will be sponsored by the South African Department of Arts and Culture, Independent Media, PRASA, the City of Cape Town, Johnny Walker, Amstel and South African Tourism.

In 2015, the South African Broadcasting Corporation (SABC) withdrew its sponsorship for the festival a few weeks before the event. According to reports, the SABC did not give an outline of the reasons but cited it could not agree on certain terms and conditions during negotiations. This year, the state broadcaster will not only air the event on its three TV channels – SABC 1, SABC 2 and SABC 3 – but also sponsored Wednesday’s community concert at Greenmarket Square and helped with training and development programmes attached to the festival.

Tickets to the event are available on Computicket.

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