NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Overviews

The live music scene in Swaziland

17 Aug 2016 - 13:39

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Although there are many musicians in the Southern African kingdom of Swaziland, most are not able to have proper professional recordings because the country lacks professional recording studios and skilled producers. Most musicians therefore prepare for live performances without recorded material. Sometimes this works as an advantage: without the use of backing recordings, they have to work extra hard to perfect their live music shows. This text provides an overview of Swaziland’s live music scene.

Swazi singer Nomsa performing at Bushfire festival. Photo: MTN Bushfire / Facebook

Venues

The most active and popular venues in Swaziland are found around big towns and along the Manzini-Mbabane corridor. Located in Malkerns Valley, House On Fire is probably the country’s best-known live music venue that is known for hosting the annual MTN Bushfire festival. It is every artist's dream in Swaziland to stage a performance on the MTN Bushfire main stage, which is so far the country’s biggest platform to stage live music performances. Artists who have recently performed on that stage include Swaziland’s ‘first lady of reggae’ Pachanga and other notable local artists such as Bholoja, Siyinqaba, Nomsa M, DJ Mbo, Fanaza, Nomzamo and others.

The House On Fire amphitheatre stage is used for regular weekend events such as Sibebe Friday Night Live. Many local and international acts have graced this stage, which is open throughout the year. Rapper King Terry, the runner-up of the Sibebe Night Live Battle Of Bands competition, got a chance to perform during the 2016 Bushfire festival, where he shared the stage with international star Cold Specks from Canada.

In Matsapha, Esibayeni Lodge’s Ronde Vu outdoor stage hosts live performers every Sunday afternoon, usually for free. People come to relax and enjoy live music. Also at Esibayeni Lodge there is the Déjà vu Cocktail Lounge, which hosted the first edition of the Elite Season hip-hop festival and a concert by popular performer Tiyas King in early 2016. Upcoming gospel sensation Nothando Hlophe recorded a live show at the lodge for her debut album Impilo Yam.

In Manzini’s Ngwane Park, there is The Vibe. It’s owned by Itallo, a popular local jazz artist. The Vibe has both a live stage and a rehearsal room. Afro-jazz and soul musicians use The Vibe for jam sessions. The venue is popular for its Sunday sessions, when people come to chill out and enjoy good music. The rehearsal hall is used by local artists and is available for bookings. In mid-2016 it hosted a jam session featuring the likes of Lee Bombo, Pachanga, Juda Selisthena, Vanlz, Mcwayizeni Ntshangase and the host, Itallo.

In Manzini town, there is the Mavuso Trade Centre, a popular venue renowned for hosting the annual Swaziland International Trade Fair (SITF). This is one of the biggest venues in the kingdom, with several halls and a pub for indoor events. For outdoor events promoters use the centre’s sports fields. The Mavuso Trade Centre hosted the National Arts and Culture Awards (formerly known as the Tihlabani Awards) in 2010, as well as the Storm Festival and plenty of other live music events, such as the end-of-year show by Ndumiso Simelane of Izinceku Zamagawugawu, one of the biggest-selling acts in the kingdom. The venue’s annual ‘gospel crossover’ show features local and international gospel acts, attracting an audience of between 7000 and 10 000 people.

For the trendier audience there is Solanis Shisanyama in the township Msunduza in Mbabane, as well as the White House in Manzini. These venues stage shows every weekend, hosting both local and international acts.

Events and festivals

Swaziland unfortunately doesn’t offer many regular music platforms, besides occasional live shows and festivals. The country has witnessed a fall in the number of live music events since the late 1990s. The Swaziland International Trade Fair Show (SITF) is arguably less popular than it once was, while the Simunye Fun Fair was last staged back in 2013.

The biggest annual event in the nation is the internationally acclaimed MTN Bushfire music and arts festival, which in 2016 celebrated its 10th anniversary.

In the run-up to Bushfire each year, there is a series of live shows powered by the Sibebe Premium Lager, dubbed Sibebe Friday Night Live. The monthly series provides a platform for Swazi musicians to battle each other in a Battle of the Bands contest, with the overall winner earning a place on the Bushfire stage as well as a cash prize.

The annual Francophonie Festival is hosted by the local Alliance Française. This week-long festival sees people enjoying a variety of entertainment, including music, art, local craft and food, a kids' zone and a skate park.

Also powered by the Alliance Française is the regular Arts Awake event which was founded by poets Musa Ndzinisa and Beko 'The Storyteller' Dlamini. Established for artists by artists, it provides a platform for both established and upcoming Swazi poets and musicians. Arts Awake shows are held monthly at the Mbabane Theatre Club.

The popular Hipnotik Festival caters primarily to hip-hop fans and musicians. The festival is hosted by Swazi Jive, a local entertainment stable run by Sakhile Nkambule. In 2016 the festival added rap, dance and beat ‘battles’ where participants could win cash prizes.

There is also the Fish Party, a two-day family-friendly festival hosted by KAD Concepts in summer at Lubovane Dam in Siphofaneni.

Promotion

Through media channels such as SBIS Radio, Swazi TV and Channel S, Swazi musicians are able to promote their live shows. Regular gig guides include Swazi TV’s weekly ‘This Weekend Eswatini’. Musicians also use the print media, particularly the Times of Swaziland and the Swazi Observer.

To sell tickets for shows, many Swazi promoters and musicians use Computicket, while others collaborate with local shops, restaurants or music stores. If one drives along the main road in Swaziland, one usually sees printed flyers and billboards which advertise upcoming live shows.

Judging by the high standard of live shows already witnessed in 2016, Swaziland’s live music scene appears to be growing and improving after several years of decline. Despite a limited amount of events and venues, live music still plays an important role in the lives of many people in Swaziland.

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